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Book Title: An Enemy of the People|
ISBN 13: 9780486406572
Format files: PDF
The size of the: 9.94 MB
City - Country: No data
The author of the book: Henrik Ibsen
Edition: Dover Publications
Date of issue: February 2nd 1999
Loaded: 2672 times
Reader ratings: 7.6
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Widely regarded as one of the foremost dramatists of the nineteenth century, Norwegian playwright Henrik Ibsen (1828–1906) brought the social problems and ideas of his day to center stage. Creating realistic plays of psychological conflict that emphasized character over cunning plots, he frequently inspired critical objections because his dramas deemed the individual more important than the group.
In this powerful work, Ibsen places his main characters, Dr. Thomas Stockman, in the role of an enlightened and persecuted minority of one confronting an ignorant, powerful majority. When the physician learns that the famous and financially successful baths in his hometown are contaminated, he insists they be shut down for expensive repairs. For his honesty, he is persecuted, ridiculed, and declared an "enemy of the people" by the townspeople, included some who have been his closest allies.
First staged in 1883, An Enemy of the People remains one of the most frequently performed plays by a writer considered by many the "father of modern drama." This easily affordable edition makes available to students, teachers, and general readers a major work by one of the world's great playwrights.
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Read information about the authorHenrik Johan Ibsen was a major Norwegian playwright largely responsible for the rise of modern realistic drama. He is often referred to as the "father of modern drama." Ibsen is held to be the greatest of Norwegian authors and one of the most important playwrights of all time, celebrated as a national symbol by Norwegians.
His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe and any challenge to them was considered immoral and outrageous. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries.
Ibsen largely founded the modern stage by introducing a critical eye and free inquiry into the conditions of life and issues of morality. Victorian-era plays were expected to be moral dramas with noble protagonists pitted against darker forces; every drama was expected to result in a morally appropriate conclusion, meaning that goodness was to bring happiness, and immorality pain. Ibsen challenged this notion and the beliefs of his times and shattered the illusions of his audiences.
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